Sembra un render in real time (ma non lo è!)

Create a photorealistic, full-color interior video using the uploaded Blender viewport video as the camera and spatial guide, and the reference images as the finished visual appearance.



CAMERA AND SPACE

Follow the source video's camera path, framing, perspective changes, direction, speed, and timing as closely as possible. Keep one continuous shot exploring the room, with consistent parallax and spatial depth. Preserve the architectural geometry, room proportions, windows, shelving, desk, and furniture positions. The reference images show different views of ONE room; reconstruct that same room consistently throughout the shot. Do not turn the references into a slideshow or introduce cuts.



FINISHED APPEARANCE

Completely replace the gray viewport appearance with the photorealistic materials, colors, lighting, and furnishings shown in view_00, view_01, view_02, and view_03. Match the warm ivory plaster walls, pale stone flooring, dark brown and bronze mottled desk and cabinetry, dark shelving, cognac and rust-colored upholstery, brown patterned rug, aged ceramic and metal objects, and green vegetation outside the windows.



Match the natural daylight entering through the large windows on the left, balanced with warm shelf lighting and glowing decorative lamps. Maintain natural color, detailed textures, realistic reflections, soft contact shadows, and editorial interior photography quality. Keep lighting and material assignments stable as the camera moves. Newly revealed surfaces must belong to the same fully finished environment.



WOMAN AND ACTION

Add ONE woman seated in the chair behind the desk, directly in front of the open book, matching her placement in the interior references. Use face.webp as the primary reference for her face, hairstyle, clothing, jewelry, and writing posture: dark swept-back hair with shaved sides, charcoal turtleneck, olive-taupe layered garment, and a chunky amber-brown necklace.



She is quietly writing notes in the open book with a pen in her RIGHT hand. Her LEFT hand gently holds the page in place. Animate small, natural writing strokes with subtle finger, wrist, and forearm movements, gentle breathing, occasional blinking, and slight head movements while she looks down at the page. Keep her seated and absorbed in writing throughout the shot, including when she is partially hidden by furniture or outside the frame.



Her identity, body proportions, outfit, and position must remain consistent from every camera angle. Keep the pen naturally held between her fingers, with its tip contacting the page during writing strokes. The book rests firmly on the desk. Preserve correct occlusion between her body, chair, desk, hands, and book.



OUTPUT

The entire scene must already be fully photorealistic and in color from the first frame to the last. Preserve the source camera movement while adding the woman's independent writing action. Keep furniture and objects stationary and structurally stable. Avoid grayscale, clay materials, viewport outlines, interface elements, morphing, flickering textures, duplicated people, distorted hands, floating objects, and transitions from gray to color.

Transform the uploaded gray Blender viewport video into a fully photorealistic, full-color architectural film of the traditional Faroese house shown in the two reference images.



CAMERA AND ARCHITECTURE

Follow the source video’s camera trajectory, framing, viewing direction, elevation changes, distance, speed, and timing as closely as possible. Preserve its exploration of the house, including frontal, side, and elevated views. Maintain one continuous shot with natural perspective, depth, parallax, and correct occlusion.



Keep the house stationary and firmly grounded. Preserve its geometry, proportions, roof slopes, chimney, skylight, windows, entrance, wooden access bridge, railings, paths, and stone walls. Use the source video for camera movement and spatial structure, and the reference images for the finished appearance.



HOUSE MATERIALS

Match the references’ nearly black, subtly blue-green vertical timber cladding, weathered red window frames, dark roof edging and chimney, and thick living turf roof covered in irregular moss, olive-green grass, and golden-brown blades.



Render believable wood grain, painted timber, fine weathering, glass reflections, roof vegetation, rough stone foundations, and damp surfaces. Reproduce the aged gray timber bridge and railings, irregular moss-covered dry-stone walls, and wet stone path. Keep the small entrance light softly warm.



Maintain the same material assignments and colors on every side of the building, including surfaces not visible in the reference images. Keep all window frames red throughout the shot.



LANDSCAPE AND SPATIAL CONTINUITY

Replace the empty viewport background and model platform with a continuous, realistic Faroese coastal landscape matching the references: uneven grassy terrain, mossy rocks, low shrubs, weathered fences, a cold blue-gray fjord, and steep mountains with exposed horizontal rock strata, muted grassy slopes, and low clouds.



Integrate the model’s ground plane seamlessly into the surrounding terrain, with no visible rectangular base, platform edges, or floating ground. Extend the landscape naturally in all directions.



Treat both reference images as complementary views of ONE house in ONE location. Keep the fjord, shoreline, mountains, paths, fences, and stone walls in fixed world positions as the camera moves. Reveal different parts of that same environment with correct parallax; do not rotate the landscape with the camera or use a flat photographic backdrop.



LIGHT AND PHOTOGRAPHIC LOOK

Match the references’ soft overcast Nordic daylight, cool clouded sky, low mist around distant mountain slopes, and gentle atmospheric depth. Balance deep blue-black timber and red window frames with muted olive, moss green, straw gold, and cold blue-gray water.



Preserve natural color, restrained saturation, detailed shadows, and soft highlights. Avoid an overall yellow cast or a monochrome appearance. Create editorial architectural photography with realistic textures, contact shadows, subtle moisture, and physically plausible reflections.



ENVIRONMENTAL MOTION

Use only restrained natural movement: a light breeze gently stirs individual grass blades on the roof and surrounding ground, while small ripples move across the fjord. Keep the turf roof’s overall shape unchanged and vegetation rooted in place. Distant mist may drift almost imperceptibly without hiding or changing the mountains.



Keep weather, illumination, and visibility consistent. No dramatic wind, heavy rain, large waves, or accelerated cloud movement.



TEMPORAL CONSISTENCY

Maintain stable building geometry, window placement, timber boards, stone patterns, vegetation coverage, and landscape features from beginning to end. Reflections and occlusion must respond naturally to the changing camera angle without flickering or sliding.



The entire scene must already be fully photorealistic and in color from the first frame to the last.



Avoid grayscale, clay shading, wireframes, viewport overlays, cursor marks, visible platform boundaries, floating architecture, warped roofs, changing window colors, duplicated buildings, shifting mountains, sliding textures, cuts, or transitions from gray to color. Do not add people or vehicles.